Friday, January 19, 2024

This week in The Loft: Author Kayla Cunningham!

Joining me today in The Loft is fellow Extasy Books author Kayla Cunningham. Kayla writes contemporary romance (the Chasing the Comet series) and YA fantasy (the Storm Breaker trilogy). She currently teaches high school history and adult ESL, and also volunteers as a Hostage Crisis Negotiator. Kayla is also working on her Ph.D. in Teaching English as a Second Language. In her spare time, she enjoys taking flying lessons with her husband, traveling, and meeting people from different cultures around the world. She lives in New Mexico with her husband, two fluffy Persian cats, and rescue animals.

Author Kayla Cunningham

S:  Welcome back, Kayla! Thanks for joining me today.

What do you think is the biggest issue facing romance authors today?

K:  One of the challenges facing romance authors today is the evolving landscape of reader expectations. With changing societal norms and diverse perspectives, authors may navigate the balance between traditional and contemporary themes, as well as ensuring inclusivity in their storytelling. Additionally, the competition in the publishing industry and the need to stand out in a saturated market can pose challenges for romance authors.

S:  In many ways, self-publishing has been a double-edged sword. It opened up the market for more diverse love stories, but it has also saturated the romance book market. 

If you could change one thing in the book publishing industry, what would it be?

K:  The heavy reliance on constant social media presence for marketing. I empathize with the challenges you highlighted--working three jobs, writing, and feeling uncomfortable with online visibility. I believe there should be more diverse and flexible marketing options that cater to authors' individual preferences. By providing alternative avenues beyond social media, authors could choose methods that align with their schedules and personal comfort levels. This way, the industry could foster a more inclusive and adaptable environment for authors to successfully market their work without feeling obligated to be online all the time.

S:  Unfortunately, to attract readers, you have to go where the readers are and that's social media. It also has the advantage of being free. Other forms of marketing are often out of reach for writers on a budget. However, I have to agree that social media requires a lot of time and effort.

Why write romance?

K:  Truthfully, I never saw myself as a romance writer. My true passion is fantasy. For me, choosing to write romance stemmed from various personal motivations and interests. Romance as a genre offers a unique space to explore the complexities of relationships, emotions, and human connections. During the pandemic, I stumbled upon an old journal from my high school creative writing class and rediscovered a nineteen-page short story I had written as a junior called “Broken Dreams.” It was a window into the past, a reminder of simpler times before the pandemic upended our world. My aunt was battling cancer at the time, and as I read the handwritten story, I reflected on the struggles that people like my aunt had to endure during the pandemic. It was truly heart-wrenching to imagine the added challenges they faced. The thought of battling cancer during such unprecedented times was unimaginable, and yet so many people had to do just that. "Fated to Love You" became a testament to the power of love and resilience, as it follows the journey of a relatable and complex character who faces her own challenges and triumphs in the midst of real-life events. From the very first word to the final page, “Fated to Love You” became more than a love story between a biracial couple. It’s the journey of Cassandra “Cassie” Temperance Steel, a multifaceted character who escapes to Colombia to mend a broken heart. The first book in the series is set before the pandemic, while the second book, “Threads of Fate,” chronicles the main characters navigating through the pandemic and other significant events. As I wrote, the events of the time profoundly impacted the characters’ lives, ultimately shaping the novel’s direction. Writing romance allowed me to delve into themes of love, passion, personal growth, and it provided me with an opportunity to create compelling characters and narratives that resonate with readers on a deeply emotional level.

S:  Do you utilize tropes when writing romance?

K:  Yes. In this book, I explore the profound concept of soul mates, infusing a sense of destiny and a deep connection between the characters. The theme of friends-to-lovers plays a significant role, providing a strong foundation rooted in genuine friendship, which adds layers of authenticity to the romantic relationship. Opposites attract is another dynamic trope I employ, allowing for the creation of tension and sparks as characters with diverse personalities or backgrounds find love despite their differences. Xuan and Cassie are very different people, and come from different cultures. Additionally, the theme of forbidden love adds a layer of complexity to the narrative, introducing obstacles and societal taboos that heighten the emotional stakes for the characters. By blending these powerful and engaging tropes, I crafted stories that resonate deeply with readers. 

S:  What do you write first—the blurb or the book?

K:  I write the book first. The blurb is the hardest part for me to write.

S:  Do you write in other genres? 

K:  My true passion is writing fantasy. I have been working on a fantasy series for several years. I switched to romance during COVID. My decision to write “Fated to Love” was inspired by a deeply personal experience that touched my heart and soul. As a teacher and basketball coach, I had the honor of hosting six boys from Asian countries who quickly became like brothers to me. Some of them are still attending college in the United States, while others have returned to their home countries. I have had the privilege of visiting a few of them in China and Taiwan, and our bond has only grown stronger with time. The rise in Asian racism during the pandemic years deeply affected me. I saw firsthand the horrific things that were said to my “brothers” because of their nationality. I felt ashamed and guilty for not doing enough to promote change. I realized that I had a responsibility to use my voice and platform to bring attention to this issue. That’s when I decided to write “Fated to Love,” a novel that not only explores the intricacies of contemporary romance but also delves into deeper themes such as cultural identity, family dynamics, and overcoming adversity. I wanted to take readers on a journey through different countries and cultures, providing a window into the diversity of our world. Through my writing, I hope to honor and celebrate the beauty of these diverse cultures and to share the story of Cassie and Xuan with the world.

S:  What would you like to people know about you?

K:  I’ve always dreamed of publishing a book, and my mother has been a huge supporter of that dream. Unfortunately, she was diagnosed with Alzheimer’s disease around the time COVID first hit the United States. As her disease has progressed to the mid-late stages, I began to realize that my time was running out to publish a story traditionally. Ultimately, my decision to publish, “Fated to Love You," was driven by a sense of urgency. I knew that if I waited too long, it might be too late for her to see me accomplish my dream. I gave myself a deadline to secure a publishing deal with a traditional publisher, knowing that if that didn’t happen in time, I would turn to self-publishing. It was a risk, but I couldn’t bear the thought of my mother missing out on this milestone in my life. To me, it was crucial that my mother could physically hold my book in her hands, even if she can no longer read or write. The joy and pride I would feel seeing her hold it, knowing that I accomplished my dream, is something that cannot be expressed in words. Overall, publishing my book now was not just about achieving my own goals--it was about sharing that achievement with my mother and giving her a tangible reminder of my love and appreciation for all she has done for me. 

S:  What is the best/worst thing that has ever happened to you as a writer?

K:  The best thing that has ever happened to me as a writer was receiving acceptance for my work. It's an incredibly rewarding and validating experience to have your writing acknowledged and embraced by others. On the flip side, the worst thing I've encountered has been the receipt of hate mail and messages on social media. Unfortunately, some individuals express negativity due to the bi-racial nature of the couple in my book, reflecting prejudices and misconceptions. Dealing with hate messages can be emotionally challenging, especially when they are fueled by misplaced blame or discriminatory views related to the COVID-19 pandemic. Despite these challenges, I remain committed to telling stories that celebrate diversity and promote understanding, aiming to overcome such negativity through the power of storytelling and fostering empathy.

S:  Wow. I'm sorry you were subjected to that.

What famous book do you wish you had written? 

K:  I absolutely love the Throne of Glass series and “A Court of Thorns and Roses.” I greatly admire the work of Sarah J. Maas, I find that I am drawn to her intricate world-building, and complex characters. The seamless blend of fantasy and romance in Maas's writing is truly remarkable. The way she crafts a gripping narrative filled with suspense, political intrigue, and emotional depth is something I greatly appreciate. The Throne of Glass series has resonated with a wide audience, and I admire how Maas has created a compelling and immersive universe. Writing a series with such depth and intricacy would be a fulfilling challenge, and the ability to elicit strong emotional connections from readers is a goal I aspire to achieve in my own writing. Ultimately, the Throne of Glass series stands out as a masterpiece in the fantasy genre, and I would be honored to have crafted a similarly captivating and beloved story.

S:  What inspired “Threads of Fate?”

K:  When I was brainstorming title ideas for my series, I pondered on the themes that were prominent in the stories. I choose my hometown of surf city—Santa Cruz, CA--as the setting. As a romance novel, the books highlight the story of two people from distinct backgrounds who, despite the obstacles that lay ahead, were irresistibly drawn to one another. The concept of destiny and fate was a crucial factor in their love story, where the power of love was depicted as an unyielding force that unites people. In 2020, at the beginning of COVID-19 cases in the USA, we saw a rise in prejudices directed towards China. As a host parent to six Chinese boys, the rise in anti-Asian hate crimes caused by the pandemic deeply affected me, and I felt a responsibility to shed light on this issue through my writing. While 
“Threads of Fate” is a contemporary romance novel, it was important for me to address and raise awareness about social issues within my storytelling. By incorporating themes of love, acceptance, and unity, I aim to contribute to the larger conversation and support the efforts of the #StopAsianHate movement. So what brought about my inspiration to write this story? There is a great quote in the movie, "42," about Jackie Robinson--“Maybe tomorrow we’ll all wear 42, that way they won’t tell us apart.” Growing up in a baseball-loving household, today I want to wear the number 42. I do so with ink. My pen is the most powerful tool God has given me, and it’s time to use it to make a difference. This series is my form of advocacy, and I believe in writing for change #WriteForChange. I hope that my dedication to authenticity and accuracy shines through in every page of “Fated to Love” and “Threads of Fate.”

S:  Is there anything special you would like people to know about “Threads of Fate?”

K:  In my upcoming second book, readers are taken on a heart-wrenching journey through the COVID-19 pandemic. As the world changes around our characters, they must navigate new challenges that will leave readers on the edge of their seats. Just like my first book, "Threads of Fate” is a contemporary romance full of unexpected twists and turns that will keep you guessing until the very end. Despite the odds against them, Cassie and Xuan remain steadfast in their epic love story, willing to do whatever it takes to find their way back to each other--even if it means braving the very forces of the universe that conspire to keep them apart.

Editor's note: "Threads of Fate" will be released Extasy Books soon. For more information, visit https://www.extasybooks.com/Kayla-Cunningham.


S:  Kayla, thanks for joining me today! If you'd like to learn more about Kayla and her books, please visit--



Friday, January 12, 2024

This week in The Loft: KD Sherrinford!

Joining me today in The Loft is Extasy Books colleague KD Sherrinford. An award-winning author, KD writes historical romantic mysteries and cozy mysteries. She is best known for her Sherlock Holmes and Irene Adler series. The first novel in that series, "Song for Someone," was recently short-listed at The Chanticleers International Awards for Romantic Fiction. KD started writing until after she retired from her career as a real estate agent. She lives on the Fylde Coast in the UK.

Author KD Sherrinford

S:  Good afternoon, KD. It's always a pleasure to have you as a guest on "Postcards from the Ledge!"

Why write romance?

KD:  I never set out to write romance, but I wanted to develop the relationship between Sherlock and Irene, which involves romance. So I decided to go with the flow, and I'm so glad I did. Theirs is not a Mills and Boon romance. It's a slow build-up, described by Jon Oshiro in "The Sign of Holmes" as an endearing look at an enduring love. 

S:  Personally, it's hard to keep romance out of my stories, even when the story is primarily suspense or paranormal. It just makes my characters more human.

Do you outline the plot for your stories before writing?

KD: I'm a pantser writer, but that said, I had to do a lot of outlining, especially for "Song." There was a fair amount of historical research, getting times, places and dates right. Interacting with fictional characters and real-life people was all part of the fun. For instance, Irene meets Agatha Christie, Sherlock and Watson, Arturo Toscanini, the cast of the opera Silvano, at La Scala and the composer Mascagni and his wife Lina.

S:  It is important to take notice of certain facts or character traits. Readers do notice when you slip up!

What do you write first—the blurb or the book?

KD:  I wrote all three books in my series first, then the blurbs at the end. My editor at Extasy Books guided me on that. She's amazing.

S:  I also wait until I have finished writing. Early on, I realized that the blurbs written in advance never matched the final books.

Have you ever attended a writer’s retreat? 

KD:  I plan to go to a literary retreat with my stepdaughter and her mum at the beginning of December. We booked a log cabin with a wood burner and hot tub in the heart of Sherwood Forest. I plan to finish some serious writing and catch up on my reading. My TBR list is overflowing.

S:  How do you get reviews?

KD:  I have a street team of dedicated and loyal Arc and Beta readers. They tell me if they think anything is wrong. I also have lovely followers from the UK, the USA and Canada. And a lovely lady from Italy, Benedetta, who helps with the Italian translations. She lives in Lucca and is a soprano. She used to sing in the junior chorus at La Scala.

S:  What inspired "Song for Someone?"

KD:  I was inspired to write "Song for Someone" after my visit to the Sherlock Holmes Museum in London and Neil Sedaka's classical concert, Classically Sedaka, performed at the Shaftesbury Theatre in London. He wrote original lyrics to a selection of classical melodies and performed them with the London Philharmonic Orchestra—wonderful, inspirational, thought-provoking stuff.

S:  Now there's a blast from the past--Neil Sedaka. I haven't heard anything about him in years.

Is there anything special you would like people to know about "Song for Someone?"

KD:  There are a few characters in "Song" I loosely based on people I knew who have now sadly passed. For example, the two villains from London, Ron and Earnest. Although not villains in real life, they were old friends of mine from my illicit nights spent at the old Preston Greyhound Stadium in the seventies and eighties. The music director at La Scala, Robert, was named after another friend who was very close to my heart. "Song" is dedicated to my late sister, Sue, who died suddenly in May 2022.

Here's the blurb--

Charlotte Sapori has led a wonderful life, safely tucked in the bosom of her family. Her mother, Irene Adler, is a renowned opera singer, while her father, Lucca Sapori, does important government work that frequently takes him away from them. Charlotte is close to her older brother, Nicco, and they are both doted on by their parents. All is well until her mother receives an unexpected diagnosis, which shakes the family to its core.

Knowing herself to be dying, Adler confesses to Charlotte things that have been long kept from her, telling her to find and read her diary. A distressed Lucca Sapori tells his daughter to read his as well. And by the way, Lucca Sapori is not his real name. in fact, she may have heard of him-he is the world-famous detective Sherlock Holmes.

Charlotte finds both diaries and plunges into the hidden world of Irene Adler and Sherlock Holmes as she discovers what brought them together and how they managed to stay together for thirty years despite having to battle the odds.


S:  Where can readers buy "Song for Someone?"

KD:  It's available at--

Amazon:  https://www.amazon.com/Sherlock-Holmes-Irene-Mysteries/dp/1487436882

The Sherlock Holmes and Irene Adler Trilogy is available at--

Amazon:  https://www.amazon.com/dp/B0BN16RPQY

S:  KD, thanks so much for joining me today. If you'd like to learn more about KD and her books, please visit--








Friday, January 5, 2024

This week in The Loft: Author A.J. Llewellyn!

Joining me today in The Loft is author A.J. Llewellyn. The author of more than 300 erotic romance novels, A.J. started life as a journalist and boxing columnist. She has now written a number of series, including the Mingo McCloud Honolulu Mysteries and Honeybone. An early obsession with Robinson Crusoe led to a lifelong love affair with islands, particularly Hawaii and Easter Island. A.J. has a desire to paint, draw, juggle, work for the FBI, walk a tightrope with an elephant, be a chess champion, a steeplejack, master chef, and a world-class surfer. She can’t do any of these things, so she writes about them instead.

Author A. J. Llewellyn

S:  Welcome, A. J. Thanks for visiting today.

What do you think is the biggest issue facing romance authors today?

A:  I think it’s the quality of the books that are being released. The best thing that happened to authors is that we got to self-publish. I make a lot more money self-publishing than I do with my publishers, but I stay loyal to them and still give them books. But I think it’s wonderful that we have more freedom now. I am so grateful. I’ve built up my backlist to over 300 books and I treat my career seriously. The problem is some authors don’t work on their books. They won’t hire an editor and their covers often suck. It makes it very hard for romance writers in general, because there is a perception that it’s easy to write romance. It’s not. It’s a job and I love it, but I spend a lot of time honing my stories. I spent a lot of money on edits, covers, website updates, and promotion.

S:  Sadly, AI will probably further taint the book pool. 

Do you have a literary agent? 

A:  No. I used to have one when I was writing screenplays, but she couldn’t get me arrested, let alone a paid gig. We’re still friends, but I have bad memories of all the pitch meetings I went to, hoping to get work. I even had pitched ideas stolen. I actually wrote about a lot of this in my Black Point series with D.J. Manly. In those days, I had to photocopy my books and screenplays, and spent a fortune getting her new material to send out all the time. I never saw those items again. I know she sent them out because I had a list of places they went to – and like I said, I did get pitch meetings, but I have done much better on my own. These days, it’s so much easier and cheaper because everything’s done via email.

S:  I can't imagine what a chore it was to make paper copies. 

Is there any advantage to having a literary agent?

A:  I would not advise a romance author to get an agent. You don’t need one. You can send publishers your material directly and even the big six New York publishing houses are open to unrepresented authors. However, I would advise getting a literary attorney or a lit agent to go over the contract if an author does land a big book deal. For movie projects you definitely need an agent, but the good ones are hard to find.


S:  Have you ever attended a writer’s retreat? Did you find it helpful?
 

A:  I have been to a few and I really enjoyed them. The best one I went to was run by author Rachael Herron and I learned so much from her. The meditations we did, writing prompts, and outdoor visualization writing exercises were beyond valuable. She held the retreat at Pelican Point Lighthouse and State Park in northern California. A breathtaking place. We were there five days, and it was wonderful. I am still friendly with some of the people I met there.

S:  How do you develop your characters? Do you use photos or a vision board?

A:  No. But I do use a graph like I did when I was writing screenplays. I use post-its for the various characters. Each character and storyline gets a particular color. I put them on the wall and as the story develops, I can tell if one color isn’t in there enough. Then it’s time to repack the snowball as William Goldman used to say, and go back and fix things. It’s a fun way to write. Sometimes, I have a particular look for a character in mind but mostly I don’t work with photos anymore.

S:  What do you write first—the blurb or the book?

A:  The book. However, as I am writing it, I’m always thinking about the logline. That’s the Hollywood script reader in me. I do screenplay coverage for a studio and we’re trained to think of a 10-word sales pitch. That is the selling point for any book or screenplay. So, I do think about that. One of my favorite loglines ever and gosh, I wish I’d written it was the one for Ferris Bueller’s Day Off: “One Man’s Struggle to take it easy!”


S:  I find the blurb limiting, so I don't write it until after the book is done. However, I usually have a tagline in my head while writing. 

If you had to do it all over again, would you still choose to write books?

A:  Oh, yes. I live to write. I wanted to write screenplays after 20 plus years as a journalist but it’s a heartbreaking business. The writer who spends years creating and developing their screenplay often doesn’t even get a writing credit. They might get paid, but their work is taken over and it’s written by a committee. I once got offered $10,000 by actor Robert Blake to take a book I’d written “out of my hands.” I was desperate, but not that desperate. He wanted to put his own name on my work. I said no. It ended our communication but that was okay. By the way I ended up making quite a few changes to the screenplay and wrote it as a book. It became "Honeybone," one of my favorite mysteries that I’ve written. There are five books in that series at the moment.

S:  What famous book do you wish you had written? 

A:  Wow, what a great question. I’d say "The Daughter of Time," by Josephine Tey. Written in 1951, it still stands up today and it’s a cracking great mystery. I love that book!

S:  What do you want inscribed on your tombstone? How do you want to be remembered?

A:  "She could write but above all, she loved animals. The animals have lost a friend.”


S:  A.J. it's been a pleasure chatting with you today. If you'd like to learn more about A.J. and her books, please visit--